Black Iconoclasm: Public Symbols, Racial Progress, and PostFerguson America In the decade since the 2014 Ferguson Uprising, re-intensified conversations about racial progress continue to be at the forefront of American culture. The moniker Black Lives Matter, for example, emerged as a rallying cry of Black-led mass rebellions calling into question the rigid Western social codes of race, gender, class, and sexuality. These values emerge through iconography: those social codes reflected by a corresponding rolodex of public symbols (whether positive or negative) in American culture. Black Lives Matter fractured icons such as the first Black president, the innocent police officer, and the charismatic Black male activist opening space for new theories and practices of Black radical disruption. At the same time, groups such as #BLM10, BLM Grassroots, and Mass Action for Black Liberation criticize the Black Lives Matter Global Network as having transformed into a new icon of racial progress, demonstrating that the meaning of Black liberation remains hotly contested. How do we discern Black radical thought and activism from the co-options of Western Man? Are we doomed to repeat a cycle of destroying a few icons only to inevitably produce new ones? In Black Iconoclasm, Charles Athanasopoulos dismantles the Eurocentric notion of iconoclasm as the physical destruction of icons and/or the recovery of supposedly pure counter-ideologies. Instead, Black iconoclasm refers to a liminal orientation toward cracks and fissures in narratives of linear racial progress and teleological narratives of Black liberation.Athanasopoulos examines conflicting messages surrounding Black liberation in post/Ferguson America across activism, Black radical theory, communicative situations, cinema, and street art. Across each arena of American culture, his orientation toward the liminal unsettles the supposed cyclical nature of icons/iconoclasm by demonstrating that theories and practices of Black radical disruption always reflect both Black radical excess [...] Autor: Charles Athanasopoulos Wydawnictwo: Springer Rok wydania: 2025 Okładka: miękka Liczba stron: 235 Wymiary: 21 x 14.8 cm Ilustracje: 16 Illustrations, black and white Język: angielski ISBN: 9783031669262